Green Door

Usually a Raging Stallion Studios man, Steve Cruz has crossed party lines to co-direct this Mustang/Falcon Studios production with Leif Gobo. The team-up has proved successful previously, with their similarly bearish/muscle-loving Blue Movie.

If you like your men, well... manly, this film – and particularly its opening two scenes – is for you. The first two couples are the embodiment of masculinity. Now, this isn’t to say the performers in the consecutive two scenes aren’t, but if we’re talking total ‘Daddy’ league here, these are your guys. Muscle, jockstraps, shaved heads, body hair and a generally aggressive demeanour could sum them up pretty well.

But before we get too far into the signifiers of what we consider to be alphamale behavior, let’s take a look at the concept behind Green Door. The film opens with a cute, bearded spunk (Luke Riley) slamming his fist on an antique-looking door while jerking his cock with the other. It’s not explained whether the door is entry to some kind of exclusive nightclub, sex club or a metaphoric reference, but clearly this strawberry blond hottie wants in (and he’s very horny). When the scary looking doorman (Zak Spears) refuses to accept the keen entrant, he goes to walk away before being pulled inside.

Thrown into what looks like a back room and forced to suck the hairy bodybuilder’s cock, it seems like ink-clad Luke has gotten just what he bargained for. Looking up at the furry chest of his aggressor, he sucks on that meat with plenty of vigor. Zack then undresses the cock sucker and puts him on his back, licking his hole and deep-throating his cock to Luke’s sighs. He then takes off his own clothes and positions Luke over a coat rack so he can pound his ass with that thick cock. Clearly pleased with his new friend’s tight hole, he exerts his approval with grunts and cries of “Good Boy!” and “Yeah, Daddy loves that ass!”

Clearly emboldened by his top’s enthusiasm, Luke then rides his cock, fucking himself over and over while Zak closes his eyes, tweaks his nipples and just enjoys seeing the muscled cutie skewer himself. Both men empty a healthy load to finish off the proceedings, both times over Luke’s stomach. Zak gives a very loud grunt of pleasure before throwing the kid out.

The next scene features a couple of rough-around-the-edges fellas in a very aggressive bar scene (presumably inside the green door). It’s well worth a look for the bikie-looking Alessio Romero and Samuel Colt, but I’ll move on to the titillating threeway in the scene following.

Erik Grant, Chad Manning and Beaux Banner are the handsome trio. Somehow we seem to have been transported to another era inside the green door. The wartime-dressed Chad and Beaux and 1940’s style barman (Erik) give you the impression this venue is more akin to something out of “Twin Peaks” than a traditional sex club or drinking hole.

No longer able to resist joining the fun, Erik comes around the bar and gets involved with the couple, who certainly don’t seem to mind his presence. He rims Beaux, while he’s busy sucking Chad’s big cock. The three guys mix and match, swapping cocks and mouths for the greater part of the scene, both soldiers taking time to suck on Erik’s cock together at one point. It’s not long before the anal fun begins with Erik in command of the hot spit-roast that eventuates. The scene concludes with each hung muscle hunk blowing their loads side-by-side along the bar.

This is probably the film’s least bearish encounter, but all three guys are a far cry from a twink (or even jock) look. Nash Lawler and the skinhead-esque Drake Jaden more than make up for the slight dip in beariness with their collection of piercings, tattoos and facial hair in the final scene. It takes place both outside the green door and then inside it, climaxing when Nash rams his dick up Drake's ass and fucks him incredibly rough.

Cruz and Gobo represent a real antithesis to the successful twink porn movement. Where studios like Falcon and RSS tend to straddle the line between the ‘young, smooth and ripped’ and the ‘rough, buff and furry’ with their casts, Cruz and Gobo represent a move towards the ultra-masculine. There’s no blurring of the categories here, if you want your men to be men, you’ll be creaming your pants with this title. It’s well-shot, well-cast, well-directed and features a cute motif to link the hot action.